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        Poetry & Nonfiction Online

"Also Born" (nonfiction) Kenyon Review/KROnline
”What to Name This” Anderbo
"Marriage" Verse Daily
"Cut in the Back, Full in the Belly"  (nonfiction) CURA:
A Journal of Art & Action
4 poems Word/For Word

Sample Poems

“Middle Life” originally appeared in American Poetry Review
"Elegy" Third Coast
"Crush" (originally appeared in...) Denver Quarterly
"Cafe, Person Crying" Word/For Word
"The Empty Museum" FIELD


When I got up

a dead beetle where my back had been

not a tick, should I be glad 

my blood untouched

the body’s sliding board

I don’t understand

my tongue feeling large for my mouth

a loose bone floating in the foot

receiving impact

this being subtle and not so subtle

this evolving

my restless squirrels

my own exposed waiting

for what?

homocysteine: a word as pretty as gossamer

measure of inflammation

I listen to

a hammock filled with wind

and where all of it goes

and in a cloaked way 

there is a dark river that flows

through a town named Christmas

we jumped from the bridge

100 times, teenagers then 

backlit and yelping. 



I stared at it when I was hungry. I showed it to too many friends. I took it to bed with me and it was there waiting when I woke up. I tugged on its hair. I backed over it by accident with the car. It was stale. It was juicy. It was stale. It was looming. I wore away the corners with my active thumb. I backed over it with the car. And I backed over it again.


Cafe, Person Crying

the shared quality
of accents

a need to level
continuously     a script

burn spots     standing quickly
after not standing

hard to judge
for instance
corners on most people

from the margins

some things 
born without aid
or antonym

it’s common in fading to ignore
a sigh let go

a short descent
radial sob

here     in this room together

innumerable the ways
we are not. 


Lake Michigan is growing smaller. Each time I go home more of the beach
shows its ratty, pocked face. I dream the Greeks are responsible, I see them—
climbing the old peeling stairs. Each man carries a piece of lake up past

the gold shops, steaming bakeries, rows of fish and unpronounceable cheese.
Back home the neighbors struggle to get their boats in the water. My father
cuts open his toe swimming. When a new sandbar appears, it’s flagged

and named for its uncommon shape. Working faster and all the time now, the men
are moving Lake Michigan. In a room I don’t remember, although
the floor is familiar, I’ve surrendered to infection. Fever spreads

under my skin, concentrates at the tonsils. All the time the men marching—
what looks like thick glass tucked under their arms. The hostel owner
places olives on his tongue one at a time. His wife prays near the cash box.

When the doctor comes he kneels by the mattress I’ve made hot with fear,
a silk curtain floats between his shoulders. He says go home. Your throat is closing.
It’s not the lonely descent over Detroit that’s stale and grim, it’s what happens

to the northern woods. Everyone is sleeping when I get there. The flag waves
on the sandbar and Lake Michigan is gone. There are no sounds
in the canyon. No sounds pass through the fields of bleached elk bones.

The Empty Museum

Plumbed from a cadaver, the brain
inside a jar is a cloud of coils
and magnified, the way a fish
when it swims to the corner of a tank
looks inflated; a government
that’s lost its country, an eyeball loose
trolling the dungeons of the sea.
Some people love the color pink
so much they wear pink sweaters
and purchase pink cars
and juice them up and down
the highway. The brain is the color
of the road, of the Midwest gloom
that hangs in the spindle left of trees
past winter. I carry that hue inside me
like clay-scented air. It’s a twisted tether
and sometimes inside my dream
as the day heats up around me
it’s a rustic sort of place
I can’t back away from. The guide
says the self is elastic, it fogs over, twins.
We engineer a filter and backload a story.
I ask to touch the brain, maybe hold it
and when I do, its weight tests
the give of both hands. I think of bowling
and watermelons floating in a pool, an infant
translating the blast of shadows
that enter a room. I forget
and I remember. I can tap a memory
of a boy in his yard carving a moat
around an underground animal
making noise with its teeth.
I think of summer still
as an entrance to the palace
where the sun actually lives.
I bused north growing up
to a green-blue place
where a herd of us smuggled
an orange life preserver through the woods
without getting tagged. There was a girl
who would die in college. I see her
on the dock in a towel like a cape,
hair dripping with lake water.
When she passed
songs we learned with God in the chorus
stopped living in her brain.
A person travels with a net
collecting for the factory. A person
passes a window and feeds on the view.
Under a large and unfamiliar hat
a person lifts her chin at the mirror
tilts her face to the side, then looks away
and back again, her whole life
the same question: I’m not sure
if this is me. I shake the brain 
wanting a file to slip, a him or
a her knitted in tissue, odd muzzle
under fixative. If this pile—
folded, inscrutable—were alive
I picture a table cluttered with jewelry,
the light jumping all over it.